“Lightyear” Trailer Sells Origin Story For “Toy Story” Hero

Well, for a studio that recently pledged to cut back on sequels, that seems like a deeply cynical pitch. The animated feature is a no-sequel space adventure that presents the origin story of, uh, the “real” Buzz Lightyear on which the Toy story the toy is based. Chris Evans voices the character this time around. I laughed at the login line that listed his credits with Knives Out before Avengers: Endgame.

Considering that the wave of Pixar originals experienced theatrical difficulties, Forward bombed even before Covid and both Soul and Luca became disney

+ premieres during the pandemic as A + draws to the streaming platform, I shudder to think of what might happen if See red theatrical struggle in March while Light year soars to infinity and beyond in June. It’s obviously not fair for the movie, directed by Angus MacLane, which frankly looks absolutely stunning. There’s a less cynical (but no less depressing) case to argue that Pixar just wanted to make a mega-budget space swashbuckler and went with a big name character for understandable business reasons.

Even so, the very idea of ​​this being called the origin story is… unfortunate. I can only hope it’s more like Casino Royale Where Star Trek (he is fully trained, he just gets a newer and more challenging and short job with) and less like Jem and the holograms Where The Fantastic Four (who spends all of the execution time setting up the actual dynamics we all wanted in that first movie for a sequel that never happened). What’s doubly cynical is that we already have a near-origin story for Buzz Lightyear.

I will not pretend that the 2000 toon Star Command’s Buzz Lightyear: The Adventure Begins was a masterpiece of non-theatrical animation, because it isn’t. However, its existence makes Light year almost felt like a glorified “live-action remake” of one of Disney’s direct-to-video animated films. I guess Light year will be better, and again I’m impressed with the visuals and tone (serious but not somber, thanks to David Bowie’s “Starman”), but it’s a weird dichotomy in play.

from disney Light year opens June 17, 2022, right between Universal’s Jurassic World: Dominion (still my safe bet for the biggest domestic income of the summer) and Paramount’s

Transformers: Rise of the Beasts June 24. The big three of the summer open in their questionable ‘franchise specific location’, as it does Minions: The Rise of Gru July 1. At the very least, the summer of 2022 will be filled with franchise headlines opening up in their summer slots as planned.

The dominant feeling about this project is fear. I’m really worried about what might happen if this is a hit while Disney Encanto and Pixar See red face challenges specific to Covid. Again, speculative and unfair, but that’s the scenario. The ideal scenario would be that Encanto and See red are big successes while Light year turns out to be pretty good in itself and also a success. As always, we’ll see.

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